Raajneeti: After-thoughts

If you are an engineer, you would know what is meant by research paper. For the others, here are the steps to write a paper:

1. Select a subject. More often than not, this is a topic on which one has some past experience and, preferably, in which one has burn his finger.
2. Select a few pioneering papers and refer to some current industry work.
3. Take bits and pieces of information from all these sources and compile them

The above three steps are for writing ordinary papers which will help you get a good job or an admission to a US grad program. However, to get into a top rung university/job, you need to be a little creative and follow the below step.

4. Do some transformation on the information gathered from the research papers and then compile it. For example, if there are two variables in an equation, combine them and make it a third variable. Transpose a variable from one side of the equation to the other side. Add two or more independent equations and make a consolidated compiled equation which, in essence, doesn't carry any new information.

And woila! We have an Ivy League paper!

Prakash Jha's Rajneeti can be considered analogous to a research paper. It takes bits and pieces from Mahabharat, God Father, Shiv Sena, Congress, (Priyadarshan's movie) Virasat among other sources.





Mahabharat is a timeless epic and any political saga could somehow be seen as inspired from Mahabharat. Raajneeti, doesn't have this subtlety. It overtly draws-in from Mahabharat. So - there is a ruling family. Bharati Rai (Kunti) abandon's her son, Suraj (Karna/AjayDevgan). She get married to the ruling family - she has two children and her brother-in-law has one (as apposed to 100!) The ruling party's president is taken to bed and there is a war of succession. His son Veer Pratap (Duryodhan) wants to be the president while his cousin Prithviraj Pratap (ArjunRampal/Pandav) claims that post. Veer Pratap (Duryodhan) befriends Suraj (Karna), a complete outsider to politics. There is Mama Shakuni, played by Nana Patekar - who (as per step 4) is on the Pandav's side! The conversation between Bharati and Suraj where she tells Suraj that she is her biological mother and that he should leave the opposition and join their side is lifted up from the Kunti-Karna conversation directly. The terms used - like "jesht putra" - shouted out loud that this is lifted form Mahabharat.


If you thought this was neat, Prakash Jha, intricately weaves, the Mahabharat tale with God Father's. Hence enters Samar (RanbirKapoor/Pandav/Michael Corleone). Though he is dis-interested in politics and is doing his PhD in the US, stays back when his father is murdered. (A sequence similar to Anil Kapoor's staying back in Virasat). He then, like Michael Corleone, takes charge of the Family and chalks out strategies. The sequence of car-blasting while the driver goes for a leak, the blood flooded dead on the bed, the peace treaty between the Families are some of the sequences directly picked up from God Father.

Considering the movie in its face value alone, it was a good attempt. The pace of the movie was fast enough to keep you seated. The whole screenplay was brilliant. The dialogues were very ordinary - a few however were absurd. Like:

Bharati's Father: Tum us do takey ke aadmi se pyar karti ho? (or something like that)
Bharati: Aapke liye toh takey hi sub kuchh hai na.

Katrina Kaif overtakes Ranbir's car.

Ranbir: Tumhare paas license hai? (or something like that)
Katrina: Kiska, gadi chalene ka ya tumhe kiss karne ka

The music was apt. Especially, Mora Piya song is good. The "disco" song was not needed - however, not being a full-length bollywood song, it didn't hurt. All the actors gave great performances. Nana Patekar does a good job by not mimicking himself. Naseerudding Shah is brilliant in his less-than-4-minutes role. However, Ranbir Kapoor steals the show. Brilliant acting by the newest offerings from The Kapoor Family. A special acknowledgment to the dress-designer. The long dupatta/stole worn by the politicians was cool and a little different from the mundane white kurta pajama.

However, if there were one thing i could change in the movie - it would be the ending. A party's president is taken-to-bed. Its second in command is killed. A major part of the party spins off. Still, that spun off party wins. I would have made a third party winning. Dividing a party divides the vote base - and it's more "real" that a third party wins. We have seen this in case of MNS being spun off from Shiv Sena.

Overall, it was a good movie with a lot things happening in three hours - Mahabharat and God Father. Despite drawing heavily from the two, it keeps you seated till the end. Not a great movie or a movie you would want to watch again and again - but worth watching it once, preferably, in single-screen theater.